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За свою творческую жизнь Сальвадор Дали создал более 1500 художественных произведений[1], среди которых картины, иллюстрации для книг, литографии, графические работы, скульптуры. Кроме того, художник занимался дизайном театральных декораций и костюмов, дизайном ювелирных украшений. Ниже следует список работ Сальвадора Дали, расположенных в хронологическом порядке.
Gala Nude From Behind Looking in an Invisible Mirror (1960)
Hyperxiological Sky (1960)
The Life of Mary Magdalene (1960)
Madonna (1960)
The Maids-in-Waiting (Las Meninas) (1960)
The Maids-in-Waiting (Las Meninas; detail) (1960)
Portrait of «Bobo» Rockefeller (unfinished) (1960)
Portrait of Countess Ghislaine d’Oultremont (1960)
Portrait of Juan de Pareja Repairing a String of His Mandolin (1960)
Portrait of a Man (They Were There) (1960)
Portrait of Mrs. Fagen (1960)
Portrait of St. Jerome (1960)
A Propos of the «Treatise on Cubic Form» by Juan de Herrera (1960)
Saint Anne and the Infant (1960)
Saint Anne and Saint John (1960)
San Salvador and Antonio Gaudi Fighting for the Crown of the Virgin (1960)
The Servant of the Disciples at Emmaus (1960)
Six Figures (1960)
The Space Elephant (1960)
St. Peter’s in Rome (Explosion of Mystical Faith in the Midst of a Cathedral) (1960)
The Trinity (Study for «The Ecumenical Council») (1960)
Two Religious Figures (1960)
Untitled (1960)
Untitled (The Lady of Avignon) (1960)
Arabs. Study for «The Battle of Tetuan» (1961)
The Battle of Tetuan (1961-62)
The Infanta (Standing Woman) (1961)
Leda’s Swan (Leda and the Swan) (1961)
Mohammed’s Dream (Homage to Fortuny) (1961)
Portrait of a Woman — Grey Jacket Wearing a Pearl Necklace (1961)
Study for «The Battle of Tetuan» (1961)
Study for «The Battle of Tetuan» (1961)
The Alchemist (1962)
Arab (1962)
Arab (1962)
Macrophotographic Self-Portrait with the Appearance of Gala (1962)
Macrophotographic Self-Portrait with the Appearance of Gala (detail) (1962)
Medusa’s Head (1962)
Portrait of Mr. Fagen (1962)
The Sacred Heart of Jesus (1962)
St. George and the Dragon (1962)
Study for «The Battle of Tetuan» (1962)
Study of a Female Nude (1962)
Twist in the Studio of Velazquez (1962)
Vision of Fatima (1962)
Arabs — the Death of Raimundus Lullus (1963)
Arabs — the Death of Raymond Lulle (1963)
Desoxyribonucleic Acid Arabs (1963)
D’Artagnan (1963)
Fifty Abstract Paintings Which as Seen from Two Yards Change into Three Lenins Masquerading as Chinese and as Seen from Six Yards Appear as the Head of a Royal Bengal Tiger (1963)
Hercules Lifts the Skin of the Sea and Stops Venus for an Instant from Waking Love (1963)
The Judgement of Paris (1963)
Madonna with a Mystical Rose (1963)
Mohammed’s Dream (1963)
Portrait of My Dead Brother (1963)
Religious Scene (1963)
Study for Deoxyribonucleic Acid Arabs (1963)
Study for Deoxyribonucleic Acid Arabs (1963)
Study for «Fifty Abstract Pictures Which as Seen from Two Yards Change into Three Lenins Masquerading as Chinese and as Seen From Six Yards Appear as the Head of a Royal Bengal Tiger» (1963)
Untitled (Still Life with Lilies) (1963)
Bust of Dante (1964)
The Dream of Ezechiel (1964)
Female Nude (after restoration) (1964)
Landscape with Flies (1964)
Madonna with a Rose (1964)
Untitled (St. John) (1964)
Untitled. Female Nude on a Palette (1964)
Venus with Drawers (1964)
Venus' Otorhinologic Head (1964)
The Anatomy Lesson (1965)
Barcelona. Beachwear Design (1965)
The Chalice of Life (1965)
«Character Masquerading in Pinning Up a Butterfly» (1965)
Coming Back. Design for a Beach Two-piece (1965)
Crucifixion (Dedication: For Gala Queen of the Divine Dalí) (1965)
Dalínian Empire. Design for a Summer Cocktail Dress (1965)
The Duke D’Olivares (1965)
Extra Flat. Design for a Bikini (1965)
Fifty-Fifty. Swimsuit Design (1965)
Homage to Meirronier (1965)
Homage to Millet (1965)
Laocoon Tormented by Flies (1965)
Michelin’s Slave — Can Be Used as a Car (1965)
Night in the Hotel (Abstract in Black and White) (1965)
Odalisque by a Bath (Harem Scene) (1965)
ODalísque. Design for a Summer Evening Dress (1965)
Philipp II Taking Communion (1965)
Portrait of Gala (Gala Against the Light) (1965)
Portrait of Mrs. Ruth Daponte (1965)
The Railway Station at Perpignan (1965)
Апофеоз доллара (Salvador Dalí in the Act of Painting Gala in the Apotheosis of the Dollar) (1965)
The Sun of Dalí (1965)
Tennis. Design for a Tennis Dress (1965)
Thirst (1965)
Untitled (Apocalyptic Christ: Christ with Flames) (1965)
Untitled (St. John from Behind) (1965)
Yellow Astronaut (clerical). Design for a Summer Evening Dress (1965)
Large Figure for «Tuna Fishing» (1966-67)
Large Figure for «Tuna Fishing» (1966-67)
Moses and the Pharaoh (1966)
The Progress of «Tuna Fishing» (1966-67)
Study for «Tuna Fishing» (1966-67)
Study for «Tuna Fishing» (1966-67)
Study for «Tuna Fishing» (1966-67)
Tuna Fishing (advanced State) (1966-67)
Tuna Fishing (advanced State) (1966-67)
Tuna Fishing (advanced State) (1966-67)
Untitled (Erotic Scene with Seven Figures) (1966)
Ashtray (1967)
Dalí-Flower (1967)
Figure Climbing a Stair (1967)
The Flower Show — Carnation (1967)
Gala (1967)
Le Voyageur (1967)
The Mountains of Cap Creus on the March (1967)
One of graphics for «Dali illustre Casanova» (Dali Illustrates Casanova) (1967)
Swan-Elephant and Serpent — Can Be Used as an Ashtray (1967)
The Chair (stereoscopic work, left component) (1976)
The Chair (stereoscopic work, right component) (1976)
Christ Twisted (1976)
Christ Twisted (1976)
Gala Contemplating the Mediterranean Sea Which at Twenty Meters Becomes the Portrait of Abraham Lincoln — Homage to Rothko (second version) (1976)
Homage to Philosophy (1976)
Las Meninas (The Maids-in-Waiting) (stereoscopic work, left component) (1976-77)
Las Meninas (The Maids-in-Waiting) (stereoscopic work, right component) (1976-77)
Musical Harmony (1976)
Perseu (1976)
Portrait of Gala (1976-77)
Preparatory Drawing for «The Chair» (1976)
Soft Monster (Monstruo blando adormercido) (1976)
Study for «Las Meninas» (stereoscopic work, left component) (1976)
Study for «Las Meninas» (stereoscopic work, right component) (1976)
Trajano to Horse (1976)
The Unicorn (unfinished) (1976)
The Wash Basin (stereoscopic work, left component) (1976)
The Wash Basin (stereoscopic work, right component) (1976)
Angelic Landscape (1977)
Aurora’s Head, After Michelangelo (detail of a Figure on the Grave of Lorenzo Di Medici) (1977)
Dalí Lifting the Skin of the Mediterranean Sea to Show Gala the Birth of Venus (stereoscopic work, right component) (1977)
Dalí's Hand Drawing Back the Golden Fleece in the Form of a Cloud to Show Gala the Dawn, Completely Nude, Very, Very Far Away Behind the Sun (stereoscopic work, left component) (1977)
Dalí's Hand Drawing Back the Golden Fleece in the Form of a Cloud to Show Gala the Dawn, Completely Nude, Very, Very Far Away Behind the Sun (stereoscopic work, right component) (1977)
Daphne: the Tree Woman (1977)
Fertility (1977)
The Happy Unicorn (1977)
Head (stair-way in the museum) (1977)
Las Meninas (The Maids-in-Waiting) — first metaphysical hyper-realist painting (unfinished) (1977)
Mae West Room (1977)
Monument dedicated to Francesco Pujol (Catalan philosopher) (1977)
Nike, Victory Goddess of Samothrace, Appears in a Tree Bathed in Light (1977)
Patio of the Teatro-Museo Dalí (1977)
Portrait of Gala (1977)
Randomdot Correlogram — The Golden Fleece (stereoscopic work, left component; unfinished) (1977)
Randomdot Correlogram — The Golden Fleece (stereoscopic work, right component; unfinished) (1977)
Soft Skulls with Fried Egg Without the Plate, Angels and Soft Watch in an Angelic Landscape (1977)
Spanish Knight (1977)
Study for «Dalí Lifting the Skin of the Mediterranean Sea to Show Gala the Birth of Venus» (1977)
Surrealist Angel (1977)
Untitled (1977)
Virgin with Swallows (1977)
Allegory of Spring (1978)
Ampurdanese Landscape (1978)
Cybernetic Odalisque (1978)
Dark Tapeworms (1978)
The Eye of the Angelus (stereoscopic work, left component; unfinished) (1978)
The Eye of the Angelus (stereoscopic work, right component; unfinished) (1978)
Gala’s Christ (stereoscopic work, left component) (1978)
Gala’s Christ (stereoscopic work, right component) (1978)
A postage stamp designed by Dali for the French mail (1978)
Stereoscopic Composition, Based on Millet’s «Angelus» (unfinished) (1978)
Stereoscopic Composition, Based on Millet’s «Angelus» (unfinished) (1978)
Study for The Harmony of the Spheres (1978)
Woman with Egg and Arrows (1978)
Athens Is Burning! The School of Athens and the Fire in the Borgo (stereoscopic work, left component) (1979-80)
Athens Is Burning! The School of Athens and the Fire in the Borgo (stereoscopic work, right component) (1979-80)
Battle in the Clouds (stereoscopic work, left component) (1979)
Battle in the Clouds (stereoscopic work, right component) (1979)
Copy of a Rubens Copy of a Leonardo (1979)
Dawn, Noon, Sunset, and Twilight (1979)
Gala Bouquet (1979)
Long Live the Station at Perpignan, Long Live Figueras (1979)
More Beautiful than Canova (1979)
Nude and Horse with Metamorphosis (unfinished) (1979)
Pentagonal Sardana (stereoscopic work, left component) (1979)
Pentagonal Sardana (stereoscopic work, right component) (1979)
Phosphene (1979)
Raphaelesque Hallucination (1979)
Searching for the Fourth Dimension (1979)
A Soft Watch Put in the Appropriate Place to Cause a Young Ephebe to Die and Be Resuscitated by Excess of Satisfaction (unfinished) (1979)
Study for «Compianto Diabele» by Canova (unfinished) (1979)
Three Graces of Canova (unfinished) (1979)
1980-
Arabs (1980)
Arabs (1980)
The Cheerful Horse (1980)
Group Surrounding a Reclining Nude — Velazquez (1980-81)
Sleeping Young Narcissus (1980)
Untitled (Bridge with Reflections; sketch for a dual image picture, unfinished) (1980)
Untitled (Landscape with Celestial Beings) (1980)
Amphitrite (1981)
Apparition of the Visage of Aphrodite of Cnide in a Landscape (1981)
Argus (1981)
Classic Figure and Head (unfinished) (1981-82)
The Exterminating Angels (1981)
Figures (Scene after Goya) (1981)
Gala in a Patio Watching the Sky, Where the Equestrian Figure of Prince Baltasar Carlos and Several Constellations (All) Appear, after Velazquez (1981)
The Garden of Hours (1981)
The Gaseous Swan (1981)
Great Tapeworm Masturbator, Appears Behind Arcades (1981)
Hermes (1981)
Jason Carrying the Golden Fleece (unfinished) (1981)
Landscape (1981)
Landscape with Rock in the Shape of a Triumphal Arch (1981)
Medea or Jason Taking Possession of the Golden Fleece (1981)
Mercury and Argos (1981)
The Path of Enigmas (first version) (1981)
The Path of Enigmas (second version) (1981)
The Pearl (1981)
Reading. Family Scene by Lamplight (1981)
Ready-to-wear Fashion for Next Spring: «Garlands, Nests and Flowers» (1981)
Seated Figure Contemplating a «Great Tapeworm Masturbator» (1981)
Spanish Nobleman with a Cross of Brabant on His Jerkin (1981)
Three Female Figures in Festive Gowns (1981)
Tower (1981)
Tower (1981)
The Tower of Enigmas (1981)
The Towers (1981)
Untitled (Female Bust with Draped Cloth) (1981)
Untitled (Head of a Woman; unfinished) (1981)
Untitled (Imaginary Landscape at Pubol) (1981)
Untitled (Skin of a Beach) (1981)
Woman on a Ram (1981)
After the Head of «Giuliano di Medici», Florence (1982)
After Michelangelo’s «Moses», on the Tomb of Julius II in Rome (1982)
After Michelangelo’s «Squatting Child» (1982)
Architectural Contortion of El Escorial (1982)
Atmospherocephalic Figures (1982)
Don Jose Nieto Velazquez from «Las Meninas» by Velazquez, Musec, Del Prado, Madrid (1982)
Double Victory of Gaudi (1982)
El Escorial and Catastrophe-Form Calligraphy (1982)
Enigma (unfinished version of «The Three Glorious Enigmas of Gala») (1982)
Exploded Head (1982)
Figure after Michelangelo’s «Dawn» on the Tomb of Lorenzo di Medici (1982)
Figure in the Water — After a Drawing by Michelangelo for the «Resurrection of Christ» (1982)
Figure Inspired by the Adam of the Ceiling of the Sistine Chapel (1982)
«Giuliano di Medici» by Michelangelo, Seen from Behind (1982)
Head, after Michelangelo’s, «Giuliano di Medici» (1982)
Hysterical Venus de Milo (1982-83)
In the Courtyard of the Escorial, the Silhouette of Sebastian De Morra, in which the Face of Gala, Surrounded by Catastrophic Signs, Appears (stereoscopic work, unfinished) (1982)
The Infanta Margarita of Velazquez Appearing in the Silhouette of Horsemen in the Courtyard of the Escorial (1982)
Landscape with Hidden Image of Michelangelo’s «David» (1982)
Martyr — Inspired by the Sufferings of Dalí in His Illness (1982)
Mirror Women — Mirror Heads (1982)
Ole (1982)
Othello Dreaming Venice (1982)
Pieta (1982)
Pieta (1982)
Rock Figure after the Head of Christ in the «Pieta» of Palestrina by Michelangelo (1982)
Saint Sebastian (1982)
Scene in the Courtyard of the Escorial with a Figure in the Foreground Inspired by Michelangelo’s «Evening» on the Tomb of Lorenzo di Medici (1982)
Sebastian de Morra with Catastrophic Signs (stereoscopic work, unfinished) (1982)
Study for «Ole» (unfinished) (1982)
The Three Glorious Enigmas of Gala (1982)
The Three Glorious Enigmas of Gala (second version) (1982)
The Tomb of Francesco Pujols (1982)
Topological Study for «Exploded Head» (1982)
Untitled (After «The Day» by Michelangelo) (1982)
Untitled (After «The Night» by Michelangelo) (1982)
Untitled (Composition — Courtyard of the Escorial with Figure and Sebastian De Morra, Veldzquez’s Dwarf) (1982)
Untitled (first study for «The Three Glorious Enigmas of Gala») (1982)
Untitled — Equestrian Figure of Prince Baltasar Carlos, after Velazquez, with Figures in the Courtyard of the Escorial (1982)
Untitled — Nude Figures after Michelangelo (1982)
Velazquez and a Figure (1982)
Velazquez Dying Behind the Window on the Left Side Out of Which a Spoon Projects (1982)
Warrior (1982)
Bed and Bedside Table Ferociously Attacking a Cello (1983)
Bed and Two Bedside Tables Ferociously Attacking a Cello (1983)
Bed and Two Bedside Tables Ferociously Attacking a Cello (1983)
Bed and Two Bedside Tables Ferociously Attacking a Cello (Final Stage) (1983)
Bed and Two Bedside Tables Ferociously Attacking a Cello (last state) (1983)
Bed, Chair and Bedside Table Ferociously Attacking a Cello (1983)
Car (1983)
Cutlet and Match — The Chinese Crab (1983)
Descent from the Cross of a Cello-Christ (1983)
Head Inspired by Michelangelo (1983)
Pieta (1983)
The Pieta of the Cello-Christ (1983)
St. George Overpowering a Cello (1983)
Study for Bed and Two Bedside Tables Ferociously Attacking a Cello (1983)
Study for Chair and Bedside Table Ferociously Attacking a Cello (1983)
The Swallowtail (1983)
Topological Abduction of Europe — Homage to Rene Thom (1983)
Topological Contortion of a Female Figure (1983)
Topological Contortion of a Female Figure Becoming a Violoncello (1983)
Torre Galatea (1983)
The Truck (We’ll be arriving later, about five o’clock) (1983)
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